#Prince of percia film movie#
Morally speaking, the movie follows the usual Disney theme of “follow your heart,” but is pleasently different. If you want to think realistically, you probably shouldn’t, yet it is visually appealing and greatly adds to an already incredibly film. Throughout the movie, Dastan flees enemies by parkouring across rooftops, running along wooden beams, and swinging from ropes-all the while battling enemies and facing “boss-like” adversaries-complete with slow motion and beautiful scores. Since the video game is so popular, the filmmakers of the movie chose to incorporate action scenes based on the gameplay. My constitution is much more…delicate.” Dastan quips, “I think you mean ‘spoiled.’” I wasn't born of this desert like you Persians, all shriveled and angry.
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My favorite takes place in the middle of the desert when Tamina complains, “I’m desperate for a drop of water…. Alfred Molina (Amar), for instance, nearly steals the show with his sardonic comments and small businessman gripes about taxes, and both Gyllenhaal and Arterton let their love for their roles as stubborn royalties shine through with every heated argument. The two are watching the princess from a distance when Amar laughs, “Where’d you find her?” Dastan hesitates but replies, “I was bringing her to Herat to trade her for a camel when she attacked me.” Amar later reveals he never believed Dastan and scoffs, “Trading her in for a camel? Look at her. My favorite lines are a dialogue between Dastan and the “slightly dishonorable entrepreneur” slave trader, Amar, who happens to be libertarian.
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However, you get a handful of good laughs with this script. The camel is sacred-not really, but you see what I’m saying. My only dislike about the script is Tamina's small vocabulary. Despite the few plot holes in the script (Why do poison robes not take effect immediately? And why does breaking time rules work for Dastan but no one else?) the movie is incredibly well-written and provides adequate foreshadowing even within the first few minutes. Newell mixes Aladdin with Indiana Jones and Back to the Future with The Fugitive. This movie has all the best plot threads sewed into one big masterpiece. The story is fast-paced and detailed with exciting plot-twists and revelations interspersed throughout. The sun peaks over the horizon of a new day and the camera spins around the character to show the kind of altitude he’s attained.ĭirector Mike Newell’s story equally matches the movie's visuals. A shot I particularly enjoyed was of Dastan standing high above Alamut.
#Prince of percia film full#
Full camera rotations, worms- and birds-eye-views, and wide sweeps create a grandeur you would expect out of any epic film. The camera effects of the film are wide and fluid, making viewers feel a sudden rush as if in a simulation. Not to mention, sunsets and sweeping landscapes scream “money” to any movie critic-185 million, to be exact.īut to take the sun, the city, and the expansive desert and weave them into a priceless tapestry takes more than thread made of gold it takes skill. Twilight rays reflect off of sweaty bodies and golden temple domes that give this movie a sense of awe-inspired greatness. Prince of Persia does not visually disappoint with its stunning shots of ancient Persian cities and blazing desert sun. Thankfully, the cheating introduction is redeemed by the brief action scene of young Dastan as he's chased by Persian guards across rooftops. A low, wise-sounding voice narrates the “long ago” spiel as a map of Persia fades onto parchment, and Disney uses the whole “Simba” clip of the king holding up a naked baby to his elated subjects. The story begins with, admittedly, a somewhat cliché “storybook” introduction. With the Persian government hot on their tails and cultish adversaries determined to use the dagger for their own means, Dastan and Tamina struggle against slave traders, snakes, sand tidal waves, and themselves if they ever expect to save creation from the Sands of Time.
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Only after being falsely accused of murder and forced to live life as a fugitive alongside Alamut’s barbed princess, Tamina (Gemma Arterton), does Dastan realize the dagger can turn back time. When Dastan and his brothers lead an attack on the holy city of Alamut on suspicion of weapons smuggling, Dastan finds himself in possession of a mysterious dagger. The movie follows an impulsive street brat, Dastan (Jake Gyllenhaal), adopted to live as the king’s own son. However, Jerry Bruckheimer’s 2010 adaption of the 1989 Prince of Persia greatly surpasses its pathetic competitors. Generally the small genre of video game adaption doesn't thrive in the blockbuster world-such as the plotless, eye-filling Tomb Raider, the disappointedly cancelled Legend of Spyro, and the unholy rendition of those two famous plumbers, Super Mario Bros.